DATE
Wednesday 21 April 2021
Code: 8469
ABOUT THIS WEBINAR
Mark will offer the first hand account of how Hard to Swallow came to be. He will describe:
- the events that inspired the idea of the play and the theatrical/musical influences that contributed to the play as it emerged and developed
- how Mark and OYT developed the first script and the initial version, Catherine.
- a definitive explanation the importance of the Billy Goats Scenes
- how Hard To Swallow was developed, the staging, the set and the performances at the National Theatre
- the two professional productions – StopWatch (1990) and Tie It Up Theatre Company (2017- present day)
To discuss ethics, research and drafting as this play was developed
Take away exercises to use to revise
BENEFITS OF ATTENDING
- Focus on opportunities to gain a deep knowledge of how the script came to be, for your examination
- Equip you with strategies originally used to create the play
- Take away approaches that excite you and cultivate a deeper understanding of the form and raise grades in your exams
- Effective ideas to ensure you can apply this approach to their own devised work.
WHO SHOULD ATTEND?
- Drama students particularly those using Hard to Swallow as a set text in the Eduqas GCSE specification
- B Tec Performing Arts/Drama
PROGRAMME
4.00 – 4.05pm Welcome and Introduction
Session 1: How to teach Verbatim Theatre effectively:
Mark will offer the first hand account of how Hard to Swallow came to be. He will describe:
- the events that inspired the idea of the play and the theatrical/musical influences that contributed to the play as it emerged and developed
- how Mark and OYT developed the first script and the initial version, Catherine.
- a definitive explanation the importance of the Billy Goats Scenes
- how Hard To Swallow was developed, the staging, the set and the performances at the National Theatre
- the two professional productions – StopWatch (1990) and Tie It Up Theatre Company (2017- present day)
- To discuss ethics, research and drafting as this play was developed
Session 2: Practical exercises for teachers to use in class to maximize results:
- Take away exercises to use to revise
4.50 -5.00pm: Session 3: Q and A with Mark Wheeller
Mark Wheeller
Mark is one of the most-performed living playwrights. Too Much Punch For Judy over 6,000 times and Chicken! nearly 6,000. His 2019 verbatim play Game Over, (grooming/murder of Breck Bednar) is published by Salamander Street and proves ideal as a socially distanced/Zoom play. Mark has written about his classroom/theatre work in Drama Schemes, The Story Behind TMPFJ & Hard to Swallow – Easy to Digest. His new book Verbatim – The Fun Of Making Theatre Seriously is due out early in 2021. Mark’s most popular plays are now available on DVD. He runs practical workshops across the world.